Melissa Fogarty Soprano

Praise for Ms. Fogarty in the press

For entire reviews, click on source name.

(The Coronation of Poppea, Opera Omnia)

"Soprano Melissa Fogarty made a fine foil for Poppea, bringing intense emotionality to the role of Octavia."
--
Heidi Waleson, The Wall Street Journal (9/2/08)

"Melissa Fogarty gave a strong performance as Ottavia."
--Allan Kozinn, The New York TImes (8/22/08)

"...the captivating Melissa Fogarty head[s] the cast."
---The New Yorker Goings On About Town, Russell Platt (8/18/08)

"Contrast was provided by the clear, cool, focused soprano sound of Melissa Fogarty as the deposed Empress Ottavia, who provided some of the best vocalism of the evening."
--Eli Jacobson, Gay City News (9/4/08)

For the New York Times preview article on Opera Omnia's Poppea, click here.

(Review of performance with Isle of Klezbos - one of my "cross-over" gigs)
"Melissa Fogarty was at the absolute top of her game, cutting loose with a wail that was as sultry as it was clear and pure."
--
Lucid Culture, (6/10/08)

(Reviews of performance of Dice Thrown, New York City Opera VOX program)

"Most of the 2008 VOX operas featured highly experienced singers such as James Bobick as the lone singer in Soldier Songs, Lauren Flanigan as Lady Macbeth, Melissa Fogarty as the sole singer in Dice Thrown, Beth Griffith as Zarafa, the giraffe, and Emily Pulley as Eleni. These singers in particular delivered notably outstanding performances and were backed up by satisfyingly rich orchestral performances."
--Karren LaLonde Alenier, Scene4 Magazine (6/08)




"
John King's Dice Thrown...was more like a revelation. In a performance by the stunningly accurate soprano Melissa Fogarty, the piece became a dazzling coloratura solo of compelling dramatic urgency...Ms. Fogarty star[ted] creating a character, not just a "part." A musical country you could call Mallarmé Land cohered into being: We could picture its mountains, its cities, its fretting housewives, its squabbling politicians."
--Russell Platt, The New York Observer (5/08)



Vox Photos by Carol Rosegg. Melissa Fogarty with composer John King and the NYCO Orchestra.


(Review of performance
in La Serva Padrona, Seattle Baroque Orchestra)
"Melissa Fogarty sang and acted the role of the capricious and determined Serpina with aplomb. She has a bright, attractive soprano and an ample technique, all of which she applied skillfully to the part."

--
R.M. Campbell, Seattle Post-Intelligencer (4/08)

(Blog mention for King Arthur at NYCO)
"young and lovely soprano Melissa Fogarty, a last minute replacement scored a triumph, singing with delectable and highly skillful coloratura and is surely on her way to a successful career."
--James Camner, author of "How to Enjoy Opera" (Simon and Schuster), former reviewer for Fanfare Magazine and Opera News contributor. From his blog, Broadway Bridge & Tunnel Test (3/08)

(Review of performance of David Del Tredici's Dracula)
"Sexier still...the soprano Melissa Fogarty narrated and sang with consummate focus while acting with delirious abandon"
--Steve Smith, The New York Times (3/07)

(Recording Review:  Handel Scorned & Betrayed)
"Fogarty is a singer of quality, clean, accurate, and stylish."
--John W. Barker, American Record Guide (5/06)

(Recording Review: Agar e Ismaele in Esiliate, A. Scarlatti, Seattle Baroque Orchestra)
"But the real star is soprano Melissa Fogarty, who as Ishmael delivers arias with a marvelous range of color and nuance, perfectly capturing and conveying the victimized boy s array of emotions. Her performance in Part Two, where Ishmael and Hagar desperately face death in the desert, is outstanding, whether in the duets or in her extended recitatives and arias."
--David Vernier, Classics Today (2/04)

(Live performance of Agar e Ismaele in Esiliate)
"Soprano Melissa Fogarty's Ishmael was an appealing young boy with spunk, sung with a clean, well-cored sound."
--Philippa Kiraly, Seattle Post-Intelligencer  (10/01)

(In concert with Concert Royal)

"This program featured an astonishing soprano. Melissa Fogarty, also on short notice, prepared and sang two challenging and rewarding cantatas. They were [among] that evening s high points."
--Tom Aldridge, (Indianapolis) NUVO Weekly (7/02)

(Clori, Tirsi e Fileno by G.F. Handel; Teatro Bacchino)
"With a secure and well-supported voice and an imaginative way with a phrase, she also showed agility in her runs, binding them expertly in to the line." 
--Michael Zwiebach, San Francisco Classical Voice (1/01)

(Aminta e Fillide by G.F. Handel; Teatro Bacchino; Berkeley Early Music Festival, June 2000)
"Fogarty was a bright, secure Aminta; her pivotal aria Se vago rio was delivered with uncommon sweetness."
--Georgia Rowe, Contra Costa Times 

"Soprano Melissa Fogarty dispatched [her] vocal part with crystalline clarity and ease."
--Joshua Kosman, San Francisco Chronicle 
     
"Fogarty's intense dramatic energy and brilliant coloratura conveyed perfectly the ardor of the young shepherd."   
--John Prescott, San Francisco Classical Voice

Last update December 19, 2009

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